We live in an age where more people than ever aspire to start their own businesses – and nowhere more so than within the creative industries, which have always been characterised by original thinkers and people who want the freedom to realise their own creative visions. Female entrepreneurs in particular are also becoming a more dominant force - 80% of the newly self-employed during the last UK recession were women, and it feels like female entrepreneurs are finally getting their turn in the limelight. Given that, it seemed fitting to hear the stories of the women behind some of London’s most exciting creative brands and businesses, which is exactly what we did at last week's Make Your Own Job event.

Speaking to a room full of women lounging very comfortably on the sofas at the gorgeous Soho Works, panellists Missy Flynn (co-owner of Rita's/Quilombero), Anna Murray (co-founder of Patternity) and Lana Elie (founder of Floom) covered the ins and outs of setting up and running a successful business during a 90 minute (!) discussion that could have gone on for much, much longer. Check out photos from the evening below.

Serena Guen Suitcase Women Who

It’s hard to know where to begin when listing Serena Guen’s accomplishments. I could start by telling you that she’s been described as the “Mark Zuckerburg of publishing” by Bloomberg, or perhaps by telling you that at twenty-six years old, she’s the world’s youngest magazine proprietor. Or maybe I’ll just lead with the wildly unexpected fact that she started SUITCASE magazine whilst she was still a student, somehow juggling launching a magazine with her third year as an undergrad at NYU.

In the four years since its launch, SUITCASE has grown into a fully-fledged travel platform, with the print magazine distributed in over 35 countries and complemented by a slick digital offering - not to mention a forthcoming expansion in the form of a separate magazine launching early next year, focusing specifically on destination weddings and honeymoons.

Still, being the boss of a travel magazine isn’t all jet-setting and awe-inspiring Instagrams (although there is plenty of that). Over the course of our conversation, it becomes clear just how much hard work - and how many late nights - it’s taken to translate the wanderlust inspired by Serena’s international upbringing into a cutting-edge travel brand. Over cocktails at The Hoxton (a stone’s throw from SUITCASE's Holborn office) we talked about how she’d successfully launched a print magazine in a digital age, the challenges of managing a team, and how she manages to stay one step ahead of an ever-changing industry.



There just wasn't a travel magazine for women of my generation, and I spotted a niche for that audience when I was studying in Paris [and looking for recommendations]. I wasn't a backpacker, I wasn't going on my honeymoon, I didn’t want to eat at Michelin starred restaurants every night. I wanted something in between and a bit more local… and just fun! Part of the reason I wanted to launch SUITCASE as a print magazine is because there's so much crap out there on the Internet. I wanted to cut through all the noise and make a statement – that this was the travel source you come to.

Fashion is so creative and exciting, and it's such an easy access point to any culture, so I decided to incorporate that by doing shoots on location. I thought it was a cool angle because part of the problem with travel magazines is that a) they weren't representing cultures properly, and b) they’d become so boring.



I talked to everyone that I knew, asking if they had any contacts that worked at magazines, and if I could talk to them. I also cold-emailed a lot of people. One of the people that I cold-emailed was Anna Harvey (then VP and Editorial Director of Condé Nast, and responsible for launching Vogue in new markets) not expecting anything back.

I sent her quite a concise email, which I think is really important - I get a lot of emails now from people starting things, but they're often very longwinded. The idea behind SUITCASE was quite different - there wasn't a travel magazine for women of our generation, so she responded well to it and emailed me back two days later saying “I think what you're doing is a great idea. This is what you should do”. She gave me advice for the first issue about advertising, airlines, people to contact – and said I could use her as a reference, which was amazing.


We just did a ‘friends and family’ funding round to print the first issue and throw a launch party. I decided I didn't need to raise a lot of funding for what I wanted to do, and I wanted to keep control of my project. The model that I built meant we grew quite slowly. Some magazines start a lot more quickly because they receive investment early on – but I was still learning and thought 'imagine if I get loads of money but don't know what I'm doing, and just spend it all!' These days, the majority of our revenue comes from partnerships, although we're very picky about who we partner with.



In the beginning I was wearing every single hat you could wear – and I still obviously am, and will be for a while. But the end of last year was a real turning point because my team were so competent – they each have their area of expertise and are really good at what they do. They were really good at running the day-to-day, and better at commissioning content, writing, and photography than I was. Plus, me doing that just took up time and meant I couldn't focus on anything to do with business development or marketing. I didn’t even have time to make a proper growth plan, because I was so caught up in the day-to-day of deadlines.

Last year I got really sick in the Philippines - I got E.Coli from eating shrimp, and it knocked me out for about two months. I didn't go to work for 7 weeks, which is ages! But my team were so good that I didn't even need to tell them what to do - they just knew. They came up with innovative concepts as well as keeping the day-to-day going, and I realised that I'd built a really strong team who were really passionate about what they were doing, and that actually it was time for me to step back so I could push things along in a different direction.



I want to focus on the print magazine first, because that was our flagship product. I think of it almost as a really expensive business card, as it's in all the shops for people to see. But obviously the first thing anyone does when they go away on holiday is look things up on Google, so another one of our main focuses for this year is improving our digital platform - we want to make it as practical as possible so it’s really functional and easy to use, whilst also making it more personalised and social. It's important to be an authority, but people need to be able to tailor things. We're aiming to become the #1 travel source for people with a creative, tech-savvy, nomadic mind-set. 

Something else we’re working on this year is finding a charity partner, and incorporating a social aspect to what we do. We're carbon neutral and print on recycled paper, but it would be good to do something proactive as well.


Serena Guen CEO Suitcase Women Who


I'm quite lucky that the industry I'm in isn't that prejudiced towards women. The only sexism that I've encountered is a subconscious one, and it's not just to do with my industry - it's to do with working women in general, and the fact their success is always linked back to their family life. For guys, no one ever really asks if they're married or if they've got kids – but for women, once you're over 30, if you're not in a serious relationship or you don’t have kids, you start being portrayed as cold-hearted.



In terms of being young, the biggest challenge was being inexperienced, and I was so naïve… I didn't think I was inexperienced at all! I didn't think my age would be an obstacle. It just meant that I had to teach myself everything, and sometimes I made really stupid mistakes - you don't know what you don't know. But once you've made those mistakes, you’ll never ever make them again. Also teaching yourself everything from scratch means you'll be so much more experienced than people who've just come in to a specific role and progressed within the industry.



The one thing you really need to know before starting a business is yourself. You need to know your limits, and how far you're willing to go. You're going to have to work really hard - do you have that in you? Is this something you're really passionate about? What are your strengths, what can hold you back? Once you know all these things, you won't be so naive and you won't end up moving in the wrong direction.

"The one thing you really need to know before starting a business is yourself."

You also definitely need to figure out your priorities. When you're starting out, nothing seems more important than your business – but at the end of the day, your business might not work out. When you're really stressed out your family are the ones who are going to be there for you, and the friends that stick around when you're starting a business are so valuable - the ones that understand are gems. They're the keepers.

There's now this huge culture of supporting young entrepreneurs - all these workshops, and networks… things that didn't exist until recently. Young people's ideas aren't dismissed as easily.



One thing I've introduced which made a huge difference is I've started exercising again – I work out 3 or 4 times a week. I have to wake up a little bit earlier, but it just makes me feel so much better. You need to do something that makes you not think about work for a bit, and exercise really helps. If you don't spend time away from work, you'll never get the perspective you need to make really good decisions. So the two things I always try to do are: sport (or at least walk a certain amount in the morning), and have a bath in the evening where I'll put my phone away and read a book or a magazine.



People management. It's something I really wasn't expecting - it's not something people talk about that much, and it's not something that you're taught. When you're managing people you need to inspire them, create an atmosphere that you like, make sure they're all happy and that everyone is doing their job. I try to lead by example - if I want everyone to work hard, then I need to show that I work hard too.



Question everything.



Lean In really inspired me - Sheryl Sandberg was so vocal about what women's rights should be. 

Creativity Inc. by Pixar co-founder Ed Catmull. It's his own story, interwoven with advice for running and starting a business. It's like a case study for starting a business.

Loop Tail by Bruce Poon Tip, who started the first truly social travel business, in the sense of being ethical, sustainable and benefitting the local economy and population. It has a foreword written by the Dalai Lama (!)

Twitter @serenaguen | Instagram @serenaguen

Twitter @SUITCASEmag | Instagram @SUITCASEmag

All photos by Matthew K. Firpo.

Rosh Mahtani Alighieri Women Who

My conversation with London-based jewellery designer Rosh Mahtani hits a stumbling block pretty much straight away. We can’t decide on what her title should be, which wouldn’t really matter except for the fact that – to be quite honest – I need something to put in her caption. Designer? Creative Director? Photographer? Writer? Rosh is one of those awe-inspiring creatives who's intuitively able to apply her eye for visuals to lots of different mediums, from photography to illustration – and the nature of running a business means there are very few jobs she doesn't do.

Still, it’s her talent for creating show-stoppingly beautiful jewellery that’s seen Alighieri, the luxe jewellery brand she launched in 2014, so readily adopted by the fashion set, garnering features in Vogue and Harper’s Bazaar (where she once interned) and adorning the ears and hands of the chicest bloggers. We caught up in her studio to discuss how starting her own business gave her a sense of purpose, as well as the challenges of being an entrepreneur. These are the bits you don’t see on Instagram.



I fell in love with Dante Alighieri's work whilst reading French and Italian at Oxford University, and after I graduated I found that I wasn't able to let it go. I spent some time in Australia, and I had the Divine Comedy with me and wanted to explore it further. It's fair to say I've always been really into jewellery - I love jewellery, and I very randomly took a one-day course in wax casting. I started making things and thought, “how great would it be to create one piece for every one of Dante Alighieri's canti?”. It's such a visual text, and so much art has been based on Dante's texts, so I wanted to tell the story somehow - and it happened to manifest itself in jewellery. It's funny – I actually bought the domain name for Alighieri a couple of days after I did that course. I always had it in my mind that I wanted to create something from Dante’s work.



After I graduated, I had no idea what I wanted to do – I always knew I wanted to do something creative, and I think I always knew I wanted to start my own business but I never had a 'thing'. Lots of my friends had acting or writing as a 'thing' and I quite liked everything, but I'd never excelled at any one thing. I interned in the fashion industry, at Harper's Bazaar, and worked at Avenue 32 as a Visual Merchandiser during its early stages. I liked fashion but I never wanted to only do that.

"Starting Alighieri really gave me direction and allowed me to do all the things that I wanted to do."

I knew I wanted to write, I knew I wanted to take photographs, but I felt like I was neither a writer nor a photographer. I didn't really feel like I had the 'right' to be writing or taking photographs and putting them out there. Starting Alighieri really gave me direction and allowed me to do all the things that I wanted to do. It felt like all of a sudden I had a reason to write and a reason to take photographs – creating this brand and telling the story allowed me to do all the things that I loved.

Alighieri_Warrior Collection
Alighieri_Warrior Collection



The wax-carving course I took was very technical and precise and I thought, "I don't want something that's precise" – I liked the imperfections. I never felt like I was learning a trade, I felt like I was creating things and seeing what I liked and what I didn't.  I'm always really hesitant to describe myself as a ‘designer’ because I'm not technically a designer – I didn't study design. But also that's not what I love most about Alighieri – I like designing, but for me it was always about telling a story.



It's very varied. A lot of my time is spent at my caster's in Hatton Garden. It's a male-dominated, family-run business and it was quite intimidating at first - they're quite straight-talking, and you have to be quite assertive. A lot of my time is also spent packaging up orders - I spend a lot of time at the Post Office, sending out press samples etc. I have two other jobs as well, so I'm constantly flitting between everything. I save emails and admin for the evening because that's when other people aren't at work.



Part of the game of creating a successful brand is the social media aspect, and how you market it. It needs to look effortless - but that's an illusion. I often have people email me saying “Please will you pass this on to your accounts division?” or “Please pass this on to your marketing person”, and very few people realise that it's just me! I love it though - I wouldn't be doing anything else.



Making a sale! It never gets old - every time you get an email saying so-and-so has bought an item, it still is such a kick. Actually I lied - that's a really great part, but the absolute best part is working with my friends, and meeting so many amazing women. I've made a lot of amazing friends through Alighieri. There's this creative buzz and energy where everyone's helping each other, and I've built up a circle of friends, and I love that.

Alighieri_Warrior Collection


The money aspect is 100% the most challenging part - the constant barrage of bills can be pretty stressful! Other challenges are… wanting to do a lot of things, and not necessarily having the manpower to be able to do them. I have all these ideas, and I want to do everything to the best of my ability – so sometimes you just have to reign yourself in. I find that hard because there's so much I want to do. I have to think one step at a time, and set myself manageable goals.



My time to switch off is with my camera. Taking stills, or travelling alone with my camera - that's my therapy. I find I can completely switch off and zone out, so that brings me a lot of calm.



If you're making something, make something that you'd like, or that you'd want to wear - and then just go for it. Personally I go on instinct with most things and sometimes I get it right, sometimes I get it wrong. It's all part of the process, so don't beat yourself up too much about the mistakes that you make.

Also - just hustle.